Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Frans Hals
The Merry Drinker

ID: 01511

Frans Hals The Merry Drinker
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Frans Hals The Merry Drinker


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Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.  Related Paintings of Frans Hals :. | De Magere Compagnie | The cheerful drinder | Family Portrait in a Landscape WGA | Boy holding a Flute | Portrait of a Man |
Related Artists:
Bernardo Lopez
1801-1874 Spanish Bernardo Lopez Gallery
Harald Sohlberg
Harald Oskar Sohlberg (29 September 1869?C19 June 1935) was a Norwegian Neo-romantic painter, particularly known for his depictions of the mountains of Rondane and the town of Røros. His perhaps most well-recognized painting is his 'Fisherman's Cottage' from 1907.
VARIN, Quentin
French Painter, ca.1570-1634 French painter. He was the son of a shoemaker and from 1597 to 1600 was in the papal territory of Avignon, where he worked with a local painter, Pierre Duplan ( fl late 16th century), enrolling also in the local painters' guild. By 1607 he had returned to northern France, and he was married that year at Amiens. In 1612 he was working in the Norman village of Les Andelys, and there he became Nicolas Poussin's first master. For the Gothic church of Notre-Dame, Le Grand Andely, he produced in 1612 a Martyrdom of St Vincent, a Martyrdom of St Clarus and a Regina Coeli (all in situ), the works that provided Poussin with his first contact with contemporary painting. These are the earliest fixed points in Varin's oeuvre, although a ruined Rock of the Philosophers (Rouen, Mus. B.-A.), reminiscent of such late 16th-century French Mannerist painters as Antoine Caron,






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